The 60,000-sm Suzhou Museum of Contemporary Art in Suzhou, Jiangsu, China recently topped out. Designed by Bjarke Ingels Group (BIG), the museum is conceived as a village of 12 pavilions, offering a modern interpretation of the elements that have defined the city’s urbanism, architecture, and landscape for centuries.
The museum is part of the city’s development of Jinji Lake and reimagines the traditional garden ‘lang,’ a line that traces a path, framing gardens with outdoor art installations and coalescing as pavilions. The museum design showcases Suzhou’s garden tradition and takes visitors on a journey through art, nature, and water.
The museum’s main design element is the ribbon of the roof, which extends into a pattern of eaves that double as sheltered walkways through the site. Knots in the thread of walkways frame pavilions, and as a result, the museum’s architecture entwines through the landscape. The draping walkways further extend out into Jinji Lake, which can be appreciated from above on the Suzhou Ferris wheel.
Bjarke Ingels' design for the art museum connects the city to the lake
The overriding design concept is a Chinese garden of pavilions and courtyards. Individual pavilions are woven together by glazed galleries and porticoes, creating a network of interconnected sculpture courtyards and exhibition spaces. “Weaving between the Ferris wheel legs, the museum branches out like a rhizome, connecting the city to the lake,” says Bjarke Ingels, Founder and Creative Director, BIG – Bjarke Ingels Group.
“The result is a manmade maze of plants and artworks to get lost within. Its nodular logic only becomes distinctly discernible when viewed from the Ferris wheel’s gondolas above,” Ingels adds. “Against the open space of the lake, the gentle catenary curvature of the roofs forms a graceful silhouette on the waterfront. Viewed from above, the stainless-steel roof tiles form a true fifth facade.”
Defined by sloping roof eaves, each pavilion’s façade is made of rippled and curved glass, as well as warm-toned stainless steel that reflects the garden colors. The pavilions are connected above and underground via bridges and tunnels, offering the museum flexibility to plan exhibition flow according to seasons and exhibited art pieces. The paths leading through the site will be covered with natural stone.
Arriving at the museum, the visitor will be faced by an expansive, welcoming plaza in front of the visitor center—the entry point to the museum. From there, visitors will be able to proceed inside or along the exterior, through the gardens and to the water bank. Visitors can follow a continuous path through the museum’s interior or wander depending on the aim or weather conditions of the visit. The facility will also house a theater in one of its pavilions.
The museum is scheduled for completion in 2025.
Client: Suzhou Harmony Development Group Co. Ltd
Design Architect: BIG – Bjarke Ingels Group
Architect of Record: ARTS Group
MEP Engineer: ARTS Group
Structural Engineer: ARTS Group
General Contractor/Construction Manager: Suzhou Erjian
Related Stories
| Oct 10, 2014
A new memorial by Zaha Hadid in Cambodia departs from the expected
The project sees a departure from Hadid’s well-known use of concrete, fiberglass, and resin. Instead, the primary material will be timber, curved and symmetrical like the Angkor Wat and other Cambodian landmarks.
| Oct 8, 2014
First look: Woods Bagot unveils plans for new Christchurch Convention Center
The locally-inspired building is meant to serve as a symbol of the city's recovery from the earthquake of 2011.
| Oct 6, 2014
Frank Gehry's $100 million Eisenhower Memorial gets preliminary approval
After a rejection earlier in the year, Frank Gehry has gotten some good news: his revised design for the Dwight D. Eisenhower Memorial has received approval from the National Capital Planning Commission.
| Oct 2, 2014
Budget busters: Report details 24 of the world's most obscenely over-budget construction projects
Montreal's Olympic Stadium and the Sydney Opera House are among the landmark projects to bust their budgets, according to a new interactive graph by Podio.
| Oct 1, 2014
10 iconic modern buildings first to receive 'Keeping it Modern' conservation grants from the Getty Foundation
Frank Lloyd Wright's Robie House and Jørn Utzon’s Sydney Opera House are among the buildings to receive grants.
| Sep 29, 2014
Snøhetta releases final plan for terraced central library in Calgary
The competition-winning New Central Library is now in the final design stages, after two years of community engagement on the part of design firms Snøhetta and DIALOG.
| Sep 25, 2014
Jean Nouvel unveils plans for National Art Museum of China
Of the design, Nouvel describes it as inspired by the simplicity of “a single brush stroke.”
| Sep 24, 2014
Architecture billings see continued strength, led by institutional sector
On the heels of recording its strongest pace of growth since 2007, there continues to be an increasing level of demand for design services signaled in the latest Architecture Billings Index.
| Sep 24, 2014
Frank Gehry's first building in Latin America will host grand opening on Oct. 2
Gehry's design for the Biomuseo, or Museum of Biodiversity, draws inspiration from the site's natural and cultural surroundings, including local Panamaian tin roofs.
| Sep 23, 2014
Third phase of New York’s High Line redevelopment opens
The $35 million Phase 3, known as High Line at the Rail Yards, broke ground September 20, 2012, and officially opened to the public on September 21.
