The design team for the new visitor center atop the 14,115-foot summit of Pikes Peak, led by design architect GWWO, Inc./Architects and architect of record RTA Architects, unveiled an unobtrusive, minimalist structure that will appear as if it’s carved into the mountainside.
The design, which incorporates input from the public collected during a months-long survey, will provide majestic views of the Rocky Mountains for the 600,000-plus people who visit the summit each year. Reminiscent of the crags and rock formations found above the tree line, the design uses shade, shadows, and fragmentation to coalesce into the peak.
Clad in material similar to Pikes Peak granite, the modern hue seamlessly blends into the mountainside. The orientation of the building to the south takes advantage of the enhanced solar gain at altitude, including daylight harvesting and photovoltaics. Other sustainable features include composting toilets and low-flow fixtures to conserve water.
“Captivating, but also functional, the building is sited to take advantage of the unique environmental conditions present on the top of Pikes Peak,” said Alan Reed, Principal with GWWO. “Nestled into the mountain, exposure to the harsh winds is minimized, while the mass of the building provides sheltered outdoor areas from which to enjoy the views.”
The deteriorating condition of the existing 50-year-old summit buildings has prompted the city of Colorado Springs, in partnership with the U.S. Forest Service, the U.S. Army, Colorado Springs Utilities, and the Broadmoor Pikes Peak Cog Railway, to embark on a process to design and build new facilities that incorporate the Summit House visitor center, the Plant Building, Communications Facility, and the High-Altitude Research Laboratory.
Local construction company GE Johnson was selected by the city of Colorado Springs as the construction manager and general contractor to oversee construction of the City’s summit complex facilities. Off site fabrication is expected to start in early 2017, subject to the outcome of the Environment Assessment currently underway by the U.S. Forest Service.
Architects’ Statement on the Design
Predominately a one-story form seemingly carved from the southeast side of the Peak, the new Summit House offers unobstructed views to the east. Reminiscent of the crags and rock formations found above the tree line, the design uses shade, shadows and fragmentation to coalesce into the Peak. Clad in material similar to Pikes Peak granite, the modern hue seamlessly blends into the mountainside. Viewed from below, it is one with the mountain, yet as one arrives at the Peak, the modest entry pavilion is a clear destination.
Upon approach to the summit, visitors take in the expansive and pristine views, just as Zebulon Pike saw and Edwin James, the first man to reach the summit, experienced over 200 years ago. The only indication that this peak has been touched by man is the glass enclosed pavilion capped with weathering steel emerging from grade. Sited to frame the view of Mt. Rosa, the location from where Pike viewed the Peak in 1806, the pavilion’s lobby provides a sheltered area to view the surrounding landscape, while affording access to the main level of the Summit House below.
Accentuating the relationship between the two landforms, the 4 degree angle from Pikes Peak to Mt. Rosa is reflected in the downward tip of the lobby walls. That same angle is mirrored in the upward slope of the roof acknowledging the expansive views to the east. To the left and right, rooftop terraces become an extension of the summit, blending with the tundra and bringing visitors closer to the edge to experience 180 degrees of the same unobstructed and undisturbed views that James saw and Katharine Lee Bates beheld as she penned the lyrics to America the Beautiful. An extended platform to the north provides optimal views of the ruins of the original 1873 Summit House and embraces the relationship with the cog.
Inside, visitors are taken aback by the boundless sky and perfectly framed views of Mt. Rosa. Stairs to the main level appear to fold down out of the mountain as visitors descend to the main floor to access exhibits, dining, a gift shop and restrooms. Warm, rustic colors fortified by the ceiling’s beetle kill pine uniquely tie the interior to the region.
Those arriving via cog are given the choice to explore the Peak, interpret the ruins, or enter the Summit House via the main level. Providing access to these multiple destinations naturally disperses the crowds, resulting in a more enjoyable individual experience.
Captivating, but also functional, the building is sited to take advantage of the unique environmental conditions present on the top of Pikes Peak. Nestled into the mountain, exposure to the harsh winds is minimized, while the mass of the building provides sheltered outdoor areas from which to enjoy the views. The orientation of the building to the south takes full advantage of the enhanced solar gain at altitude, including daylight harvesting and the incorporation of photovoltaics to generate electricity. In addition, the thermal mass of the building’s stone cladding helps capture and radiate heat generated by the sun to the interior of the building. Other sustainable features include composting toilets and low flow fixtures to conserve water.
One of the many things that make Pikes Peak so special is that it is America’s Mountain—the only fourteener that everyone, no matter age or fitness level, can experience. As such, the design offers visitors the same pristine and untouched experience as those ascending other fourteeners while providing modern amenities and expanded interpretive opportunities, ultimately leaving visitors in awe and overwhelmingly satisfied with their experience.
Related Stories
| Aug 11, 2010
Biograph Theater
Located in Chicago's Lincoln Park neighborhood, Victory Gardens Theater Company has welcomed up-and-coming playwrights for 33 years. In 2004, the company expanded its campus with the purchase of the Biograph Theater for its new main stage. Built in 1914, the theater was one of the city's oldest remaining neighborhood movie houses, and it was part of Chicago's gangster lore: in 1934, John Dillin...
| Aug 11, 2010
Top of the rock—Observation deck at Rockefeller Center
Opened in 1933, the observation deck at Rockefeller Center was designed to evoke the elegant promenades found on the period's luxury transatlantic liners—only with views of the city's skyline instead of the ocean. In 1986 this cultural landmark was closed to the public and sat unused for almost two decades.
| Aug 11, 2010
Putting the Metal to the Petal
The Holocaust and Human Rights Center of Maine was founded in 1985, but the organization didn't have a permanent home until May 2008. That's when the Michael Klahr Center, which houses the HHRC, opened on the Augusta campus of the University of Maine. The design, by Boston-based architects Shepley Bulfinch Richardson & Abbott, was selected from among more than 200 entries in a university-s...
| Aug 11, 2010
Jefferson Would Be Proud
The Virginia State Capitol Building—originally designed by Thomas Jefferson and almost as old as the nation itself—has proudly served as the oldest continuously used Capitol in the U.S. But more than two centuries of wear and tear put the historical landmark at the head of the line for restoration.
| Aug 11, 2010
Let There Be Daylight
The new public library in Champaign, Ill., is drawing 2,100 patrons a day, up from 1,600 in 2007. The 122,600-sf facility, which opened in January 2008, certainly benefits from amenities that the old 40,000-sf library didn't have—electronic check-in and check-out, new computers, an onsite coffeehouse.
| Aug 11, 2010
American Tobacco Project: Turning over a new leaf
As part of a major revitalization of downtown Durham, N.C., locally based Capitol Broadcasting Company decided to transform the American Tobacco Company's derelict 16-acre industrial plant, which symbolized the city for more than a century, into a lively and attractive mixed-use development. Although tearing down and rebuilding the property would have made more economic sense, the greater goal ...
| Aug 11, 2010
Bronze Award: Alumni Gymnasium Renovation, Dartmouth College Hanover, N.H.
At a time when institutions of higher learning are spending tens of millions of dollars erecting massive, cutting-edge recreation and fitness centers, Dartmouth College in Hanover, N.H., decided to take a more modest, historical approach. Instead of building an ultra-grand new facility, the university chose to breathe new life into its landmark Alumni Gymnasium by transforming the outdated 99-y...
| Aug 11, 2010
Fleet Library, Rhode Island School of Design
When tasked with transforming an early 1920s Italian Renaissance bank building into a fully functional library for the Rhode Island School of Design, the Building Team for RISD's Fleet Library found itself at odds with the project's two main goals. On the one hand, the team would have to carefully restore and preserve the historic charm and ornate architectural details of the landmark space, d...
| Aug 11, 2010
Gold Award: The Lion House, Bronx Zoo Bronx, N.Y.
Astor Court sits at the heart of the 265-acre Bronx Zoo, and its six Beaux Arts buildings were constructed at the turn of the 20th century to house exotic animals from around the world. When the Lion House was built in 1903, the brick and limestone facility was considered state-of-the-art, but as standards of animal care advanced, the lions were moved into a more natural setting, and the Lion H...
| Aug 11, 2010
The pride of Pasadena
As a shining symbol of civic pride in Los Angeles County, Pasadena City Hall stood as the stately centerpiece of Pasadena's Civic Center since 1927. To the casual observer, the rectangular edifice, designed by San Francisco Classicists John Bakewell, Jr., and Arthur Brown, Jr., appeared to be aging gracefully.
