The renovation of the iconic Brooklyn Paramount Theater restored the building to its original purpose as a movie theater and music performance venue. Long Island University had acquired the venue in the 1960s and repurposed it as the school’s basketball court.
The recently completed restoration preserved historical features while adapting to modern needs. Opened in 1928, the theater was renowned for hosting the world's first talking movies and showcasing legendary musical performers like Buddy Holly & The Crickets, Chuck Berry, Duke Ellington, and Ella Fitzgerald. Redesigned for owner Live Nation, it now accommodates contemporary artists while paying homage to its storied past.
Designed by Arcadis, the renovation incorporated a comprehensive marquee redesign, drawing inspiration from the original structure. The intricately designed ceiling was constructed with plaster, with special attention given to ensure its structural stability so that it is capable of withstanding intense bass vibrations of concerts. Collaborating with a lighting designer, the team illuminated the upper plaster dome, transforming it into a beautiful canvas enveloping the space in colored light to enhance the concert experience.
New life for Brooklyn Paramount Theater
By examining the venue’s original design and historical drawings from the 1920s, the design team salvaged intricate details and restored original architecture altered over the past century. The ticket lobby has been reimagined to align with modern aesthetics and security standards.
Upon entering the 2,700-capacity music hall, patrons are greeted by the featured bar before they encounter a sloped floor designed for optimal viewing. Old classrooms on the upper balcony were turned into mechanical areas to provide the space with modern comfort. The balcony’s original rococo columns with a colonnade, signaling the top of the venue, were replicated.
The second-level balcony boasts exclusive boxes and “Ella's VIP lounge,” paying homage to Fitzgerald's iconic performances in the 1950s. The intimate atmosphere of the VIP lounge showcases a small stage wrapped in a warm burnt-red drape. Over four dozen glistening gold disco balls add an additional level of sparkle to the space to set it apart from the rest of the venue.
Owner and/or developer: Live Nation / Long Island University
Design architect: Arcadis
Architect of record: Arcadis
MEP engineer: Highland Associates
Structural engineer: Thornton Tomasetti
General contractor/construction manager: Schimenti Construction Company
Related Stories
| Aug 11, 2010
Portland Cement Association offers blast resistant design guide for reinforced concrete structures
Developed for designers and engineers, "Blast Resistant Design Guide for Reinforced Concrete Structures" provides a practical treatment of the design of cast-in-place reinforced concrete structures to resist the effects of blast loads. It explains the principles of blast-resistant design, and how to determine the kind and degree of resistance a structure needs as well as how to specify the required materials and details.
| Aug 11, 2010
Jacobs, CH2M Hill, AECOM top BD+C's ranking of the 75 largest federal government design firms
A ranking of the Top 75 Federal Government Design Firms based on Building Design+Construction's 2009 Giants 300 survey. For more Giants 300 rankings, visit http://www.BDCnetwork.com/Giants
| Aug 11, 2010
Manhattan's Pier 57 to be transformed into cultural center, small business incubator, and public park as part of $210 million redevelopment plan
LOT-EK, Beyer Blinder Belle, and West 8 have been selected as the design team for Hudson River Park’s Pier 57 at 15th Street and the Hudson River as part of the development group led by New York-based real estate developer YoungWoo & Associates. The 375,000 square foot vacant, former passenger ship terminal will be transformed into a cultural center, small business incubator, and public park, including a rooftop venue for the Tribeca Film Festival.
| Aug 11, 2010
Gensler, HOK, HDR among the nation's leading reconstruction design firms, according to BD+C's Giants 300 report
A ranking of the Top 100 Reconstruction Design Firms based on Building Design+Construction's 2009 Giants 300 survey. For more Giants 300 rankings, visit http://www.BDCnetwork.com/Giants
| Aug 11, 2010
Bowdoin College Museum of Art
Brunswick, Maine
Since its founding in 1794, when what is now the state of Maine was still part of the Commonwealth of Massachusetts, Bowdoin College has played a pivotal role in the educational and cultural life of Maine. Contributing to that role for more than a century has been the Walker Art Building, an 1894 McKim, Mead & White-designed structure and home to the college’s Museum of Art.
| Aug 11, 2010
Gensler among eight teams named finalists in 'classroom of the future' design competition
Eight teams were recognized today as finalists of the 2009 Open Architecture Challenge: Classroom. Finalists submitted designs ranging from an outdoor classroom for children in inner-city Chicago, learning spaces for the children of salt pan workers in India, safe spaces for youth in Bogota, Colombia and a bamboo classroom in the Himalayan mountains.
| Aug 11, 2010
ASHRAE introduces building energy label prototype
Most of us know the fuel efficiency of our cars, but what about our buildings? ASHRAE is working to change that, moving one step closer today to introducing its building energy labeling program with release of a prototype label at its 2009 Annual Conference in Louisville, Ky.
| Aug 11, 2010
Thom Mayne unveils 'floating cube' design for the Perot Museum of Nature and Science in Dallas
Calling it a “living educational tool featuring architecture inspired by nature and science,” Pritzker Prize Laureate Thom Mayne and leaders from the Museum of Nature & Science unveiled the schematic designs and building model for the Perot Museum of Nature & Science at Victory Park. Groundbreaking on the approximately $185 million project will be held later this fall, and the Museum is expected to open by early 2013.
| Aug 11, 2010
Theater Renovation—A First-Class Production
In 1985, the city of San Diego ordered the historic Balboa Theatre, its beleaguered performing arts center, to be shuttered due to seismic safety concerns. It would take another two decades to restore the landmark building.