BIG (Bjarke Ingels Group) with Kossmann.dejong+Rambøll+Freddy Madsen+KiBiSi have completed the Danish National Maritime Museum in Helsingør. By marrying the crucial historic elements with an innovative concept of galleries and way-finding, BIG’s renovation scheme reflects Denmark's historical and contemporary role as one of the world's leading maritime nations.
The new 65,000-sf museum finds itself in a unique historical context adjacent to one of Denmark’s most important buildings, Kronborg Castle, a UNESCO World Heritage site - known from Shakespeare’s Hamlet. It is the last addition to Kulturhavn Kronborg, a joint effort involving the renovation of the Castle and two new buildings – offering a variety of culture experiences to residents and visitors to Helsingør.
Leaving the 60-year-old dock walls untouched, the galleries are placed below ground and arranged in a continuous loop around the dry dock walls-making the dock the centerpiece of the exhibition-an open, outdoor area where visitors experience the scale of ship building.
A series of three double-level bridges span the dry dock, serving both as an urban connection, as well as providing visitors with short cuts to different sections of the museum. The harbor bridge closes off the dock while serving as harbor promenade; the museum’s auditorium serves as a bridge connecting the adjacent Culture Yard with the Kronborg Castle; and the sloping zig-zag bridge navigates visitors to the main entrance. This bridge unites the old and new as the visitors descend into the museum space overlooking the majestic surroundings above and below ground.
The long and noble history of the Danish Maritime unfolds in a continuous motion within and around the dock, 23 feet below the ground. All floors-connecting exhibition spaces with the auditorium, classroom, offices, café and the dock floor within the museum-slope gently creating exciting and sculptural spaces.
“By wrapping the old dock with the museum program we simultaneously preserve the heritage structure while transforming it to a courtyard bringing daylight and air in to the heart of the submerged museum," said Bjarke Ingels, BIG's Founder. "Turning the dock inside out resolved a big dilemma: Out of respect for Hamlet’s Castle we needed to remain completely invisible and underground, but to be able to attract visitors we needed a strong public presence. Leaving the dock as an urban abyss provides the museum with an interior façade facing the void and at the same time offers the citizens of Helsingør a new public space sunken (16 feet) below the level of the sea.”
KiBiSi designed the above ground bench system. The granite elements were inspired by ship bollards and designed as a constructive barrier that prevents cars from driving over the edge. The system is a soft-shaped bench for social hangout and based on Morse code-dots and dashes writing a hidden message for visitors to crack.
The exhibition was designed by the Dutch exhibition design office Kossmann.dejong. The metaphor that underpins the multimedia exhibition is that of a journey, which starts with an imagining of the universal yearning to discover far away shores and experience adventures at sea. Denmark’s maritime history, up to the current role of the shipping industry globally, is told via a topical approach, including notions such as harbor, navigation, war and trade. The exhibition has been made accessible for a broad audience through the intertwining of many different perspectives on the shipping industry.
"For five years we have been working on transforming the old concrete dock into a modern museum, which required an archaeologist care and spacecraft designer's technical skills," said David Zahle, BIG's Partner-in-Charge on the project. "The old lady is both fragile and tough; the new bridges are light and elegant. Building a museum below sea level has taken construction techniques never used in Denmark before. The old concrete dock with its 1.5-m thick walls and 2.5-m thick floor has been cut open and reassembled as a modern and precise museum facility. The steel bridges were produced in giant sections on a Chinese steel wharf and transported to Denmark on the biggest ship that has ever docked in Helsingør. The steel sections weigh up to 100 tons a piece and are lifted on site by the two largest mobile cranes in northern Europe. I am truly proud of the work our team has carried out on this project and of the final result."
Photos below by Luca Santiago Mora
Related Stories
| Apr 12, 2011
American Institute of Architects announces Guide for Sustainable Projects
AIA Guide for Sustainable Projects to provide design and construction industries with roadmap for working on sustainable projects.
| Apr 11, 2011
Wind turbines to generate power for new UNT football stadium
The University of North Texas has received a $2 million grant from the State Energy Conservation Office to install three wind turbines that will feed the electrical grid and provide power to UNT’s new football stadium.
| Apr 8, 2011
SHW Group appoints Marjorie K. Simmons as CEO
Chairman of the Board Marjorie K. Simmons assumes CEO position, making SHW Group the only firm in the AIA Large Firm Roundtable to appoint a woman to this leadership position
| Apr 5, 2011
Zaha Hadid’s civic center design divides California city
Architect Zaha Hadid is in high demand these days, designing projects in Hong Kong, Milan, and Seoul, not to mention the London Aquatics Center, the swimming arena for the 2012 Olympics. But one of the firm’s smaller clients, the city of Elk Grove, Calif., recently conjured far different kinds of aquatic life when members of the City Council and the public chose words like “squid,” “octopus,” and “starfish” to describe the latest renderings for a proposed civic center.
| Apr 5, 2011
Are architects falling behind on BIM?
A study by the National Building Specification arm of RIBA Enterprises showed that 43% of architects and others in the industry had still not heard of BIM, let alone started using it. It also found that of the 13% of respondents who were using BIM only a third thought they would be using it for most of their projects in a year’s time.