As BIM continues to exert its explosive impact on the AEC industry, one component that has been comparatively quiet is academia, specifically the world of architectural education. BIM in Academia looks to reevaluate BIM’s place in the architectural education world—the Academy, as it is referred to in the book. The book, edited by Peggy Deamer, AIA, and Phillip G. Bernstein, FAIA, both of whom teach at the Yale School of Architecture (Bernstein is also a vice president at Autodesk, maker of the Revit BIM platform), examines the questions raised by having BIM in an academic setting and provides BIM case studies from faculty at a number of U.S. architecture schools. Although unabashedly written by academics for academia, the book has several noteworthy themes that cross over between the AEC industry and the Academy.
ARCHITECTURE STUDENTS, VDC, AND THE AEC INDUSTRY
One of these has to do with why VDC-enabled construction firms are seeking out the graduates of architecture schools. The fact is that a number of construction companies (including Gilbane, where I work) are hiring architecture graduates because the curricula and highly demanding class loads of these programs make their graduates ideal candidates for VDC projects. As a VDC manager myself, I have found that architecture graduates often make fantastic VDC professionals. They also find this role highly fulfilling. Asked why he liked doing VDC at a construction firm, a recent MArch graduate replied, “One of the most rewarding aspects of the VDC industry is our influence on how designers and builders interact.” This is exactly the sort of answer one would hope for from the people who are best suited for BIM’s collaborative environment.
The supply of talented VDC candidates still does not meet the demand—a gap that will only widen as the industry recovers and project loads increase. That’s why AEC industry professionals who focus on advanced VDC implementation are eagerly watching developments related to the Academy’s evolving relationship with BIM.
Furthermore, with the unemployment rate for new architectural graduates at nearly 15%, and with professional internships at design firms few and far between, there is a dire need for architecture students to make themselves as marketable as possible. Employers—design and construction firms alike—are looking for new hires to be highly functional in extremely short periods of time. These demands put tremendous pressure on new architecture graduates.
Fluency in BIM can be a critical differentiator for a new graduate. If the Academy truly wishes to see its recent graduates thrive in the AEC industry, making BIM an integral part of the curriculum is imperative. This also creates an opportunity for the profession (both design and construction) to positively engage with Academia to provide lessons learned, technical expertise, and best practices in BIM and VDC.
If there is a single valuable takeaway from BIM in Academia, it is that the Academy is moving beyond “Should we be involved in BIM?” to clearly addressing more functional concerns around “How do we integrate BIM into the curriculum?” The institutions that are producing the next generation of architects and VDC professionals are in the beginning stages of a curriculum revolution that can have the long-term impact akin to that of Walter Gropius’s Bauhaus School.
This shifting attitude in many ways mirrors how the industry and individual firms adopt BIM. It usually starts out as a process where the firm attempts to understand the ramifications of BIM, what resources BIM implementation requires, and how BIM fits into their particular business model. As the firm begins using the tool on projects, the question becomes “How do we improve or reinvent what we’re doing?”
The recent BIMForum meeting that focused on VDC deliverables across the AECO market also concluded that, as an industry, we’re beyond “Should we?” and are now entering a period of rapid growth centered on how to implement BIM most effectively.
The contributors to BIM in Academia and AEC industry professionals agree on one thing: Change is here, and more change is coming. “BIM threatens all hierarchies,” the book states, and this holds true for both academic and professional settings. After a firm pushes seriously into VDC, nothing is untouched. From the early design phase in an architectural firm, to building turnover at a construction management firm, standard business practice changes when integrating BIM. Such change isn’t always comfortable, easy, or smooth, as the numerous case studies in the book (and in real practice) demonstrate.
Many practicing designers fear that BIM is a homogenizing tool that inflicts a limited set of parametric tools on the project, takes the designer out of the driver’s seat, and replaces the professional with a set of soulless mathematical constraints. This is a common topic of discussion, both in the Academy and in design firms.
The above statement is true to some extent, but only insofar that it is true that a mechanical pencil—an earlier “soulless tool”—can manipulate the design process. Such is the case only if the person operating the pencil isn’t capable of using it effectively. The same argument applies to BIM software.
Fluency with the best tools for the job is critical, but lack of operator capability should not be confused with perceived deficiencies of the software. Look no further than the AIA-award-winning work of the parametric wizards at CASE Design in New York City to appreciate how BIM tools can allow the realization of pure design. These BIM tools are so flexible that they are used for modeling the sets of blockbuster movies the likes of “The Fantastic Four” and “The Watchmen.”
WILL THE REAL MASTER BUILDER PLEASE STAND UP?
One question that the book touches on, and which often comes up in industry discussions of BIM and IPD, is “Who is the master builder, and how does BIM fit into that role?” With the advent of BIM, the master builder is now is the whole team. At last December’s AIA Student Chapter National Forum, two Gilbane VDC engineers presented a discussion of how the role of the master builder has evolved and where they see it headed. What is interesting about these two VDC professionals is that they are both IDP-logging, card-carrying Associate AIA architecture interns. Although their professional affiliation is obviously not an objective source, they argued that BIM and VDC tools are pulling the “master builder team” together in a cohesive way after a more than 40-year period of separation. An important component of this trend is the advent of highly collaborative project delivery methods like Construction Management at Risk with Design Assist and various types of IPD contracts that are critical to making the team-based master builder concept work.
THE ONGOING SEARCH FOR THE RIGHT PEOPLE
In his essay, John I. Messner, PhD, an associate professor of architectural engineering at Penn State, wrote that the AEC industry needs more “T-shaped people” on such composite BIM/VDC teams. T-shaped people have a broad field of knowledge across disciplines, with great depth of expertise in a single field. Finding such T-shaped team members is a critical step for any AEC company looking to start, expand, or assemble a VDC-enabled organization. Implementing such a strategy will create the best building project teams.
BIM in Academia suggests several possible routes—much like those AEC firms are taking—for the Academy to accelerate the development and integration of BIM/VDC into their programs. The industry-leading BIM/VDC firms are already starting to push BIM tools into the hands of field and office staff alike, as well as assigning traditional project roles like assistant project manager or project engineer to VDC staff members.
From my reading of BIM in Academia, it is clear that the front-running academic institutions are not far behind professional practice in BIM thinking: the sooner they catch up, the better the AEC industry will be for it. AEC industry professionals with BIM/VDC experience have a responsibility to provide feedback, assistance, and resources to make sure that our most critical supplier, the Academy, continues to provide the human capital necessary to sustain the integration of VDC into the design and construction industry. BD+C
--
John Tocci, Jr., is Manager of Virtual Design and Construction at Gilbane Building Company and a BD+C “40 under 40” honoree.
Related Stories
Sustainability | Jan 9, 2023
Innovative solutions emerge to address New York’s new greenhouse gas law
New York City’s Local Law 97, an ambitious climate plan that includes fines for owners of large buildings that don’t significantly reduce carbon emissions, has spawned innovations to address the law’s provisions.
Fire and Life Safety | Jan 9, 2023
Why lithium-ion batteries pose fire safety concerns for buildings
Lithium-ion batteries have become the dominant technology in phones, laptops, scooters, electric bikes, electric vehicles, and large-scale battery energy storage facilities. Here’s what you need to know about the fire safety concerns they pose for building owners and occupants.
Market Data | Jan 6, 2023
Nonresidential construction spending rises in November 2022
Spending on nonresidential construction work in the U.S. was up 0.9% in November versus the previous month, and 11.8% versus the previous year, according to the U.S. Census Bureau.
Industry Research | Dec 28, 2022
Following a strong year, design and construction firms view 2023 cautiously
The economy and inflation are the biggest concerns for U.S. architecture, construction, and engineering firms in 2023, according to a recent survey of AEC professionals by the editors of Building Design+Construction.
Performing Arts Centers | Dec 23, 2022
Diller Scofidio + Renfro's renovation of Dallas theater to be ‘faithful reinterpretation’ of Frank Lloyd Wright design
Diller Scofidio + Renfro recently presented plans to restore the Kalita Humphreys Theater at the Dallas Theater Center (DTC) in Dallas. Originally designed by Frank Lloyd Wright, this theater is the only freestanding theater in Wright’s body of work.
University Buildings | Dec 22, 2022
Loyola Marymount University completes a new home for its acclaimed School of Film and Television
California’s Loyola Marymount University (LMU) has completed two new buildings for arts and media education at its Westchester campus. Designed by Skidmore, Owings & Merrill (SOM), the Howard B. Fitzpatrick Pavilion is the new home of the undergraduate School of Film and Television, which is consistently ranked among the nation’s top 10 film schools. Also designed by SOM, the open-air Drollinger Family Stage is an outdoor lecture and performance space.
Adaptive Reuse | Dec 21, 2022
University of Pittsburgh reinvents century-old Model-T building as a life sciences research facility
After opening earlier this year, The Assembly recently achieved LEED Gold certification, aligning with the school’s and community’s larger sustainability efforts.
Multifamily Housing | Dec 20, 2022
Brooks + Scarpa-designed apartment provides affordable housing to young people aging out of support facilities
In Venice, Calif., the recently completed Rose Apartments provides affordable housing to young people who age out of youth facilities and often end up living on the street. Designed by Brooks + Scarpa, the four-story, 35-unit mixed-use apartment building will house transitional aged youths.
Coatings | Dec 20, 2022
The Pier Condominiums — What's old is new again!
When word was out that the condominium association was planning to carry out a refresh of the Pier Condominiums on Fort Norfolk, Hanbury jumped at the chance to remake what had become a tired, faded project.
Cladding and Facade Systems | Dec 20, 2022
Acoustic design considerations at the building envelope
Acentech's Ben Markham identifies the primary concerns with acoustic performance at the building envelope and offers proven solutions for mitigating acoustic issues.