International architecture firm, Kohn Pedersen Fox Associates (KPF) will be presenting a selection of Chairman and Founder A. Eugene Kohn’s watercolors at The Galleries at 153 East 53rd Street in New York City this summer. Opening on Monday, July 2nd and on view through the end of August, the exhibition will feature highlights of Kohn’s work from the 1950’s through today.
Kohn paints primarily in watercolor with a range of subjects – cityscapes, landscapes, still life and abstract. Much of his work is done when he travels in foreign countries, and he frequently gives them as gifts or donates them to charity auctions. His watercolors have previously been displayed at the Guggenheim Museum in a show for the works of well-known architects, as well as an exhibition in Hong Kong last year, and are shown at Belgravia Gallery in London. Kohn’s fascination with painting began when he was a young boy sitting by his mother’s side while she painted. Hannah Kohn was an accomplished painter in her own right, and also had a show at the Guggenheim Museum on the occasion of her 100th birthday.
According to Kohn, “It’s not about being an artist – painting is something that I delight in and do purely for the joy of it. I paint to relax and to express strong feelings about certain subjects. A building can take five to ten years to complete, while a watercolor can be done in a few hours.”
Gallery owner Meredith Ward adds, "Gene Kohn’s watercolors have an elegant simplicity. He uses the unique qualities of the medium to greatest advantage by approaching his subjects with a minimum of means. A few quick strokes convey the energy of a bustling cityscape; a broad wash of color suggests the vastness of sea and sky."
The opening of the exhibition coincides with the firm’s 36th anniversary. KPF was founded by Kohn, William Pedersen, and Sheldon Fox in New York on July 4th, 1976. With over 550 employees, the firm is headquartered in the historic 11 West 42nd Street building, overlooking Bryant Park and the New York Public Library. +
Related Stories
| May 10, 2012
Chapter 6 Energy Codes + Reconstructed Buildings: 2012 and Beyond
Our experts analyze the next generation of energy and green building codes and how they impact reconstruction.
| May 10, 2012
Chapter 5 LEED-EB and Green Globes CIEB: Rating Sustainable Reconstruction
Certification for existing buildings under these two rating programs has overtaken that for new construction.
| May 10, 2012
Chapter 4 Business Case for High-Performance Reconstructed Buildings
Five reconstruction projects in one city make a bottom-line case for reconstruction across the country.
| May 10, 2012
Chapter 3 How Building Technologies Contribute to Reconstruction Advances
Building Teams are employing a wide variety of components and systems in their reconstruction projects.
| May 10, 2012
Chapter 2 Exemplary High-Performance Reconstruction Projects
Several case studies show how to successfully renovate existing structures into high-performance buildings.
| May 9, 2012
Chapter 1 Reconstruction: ‘The 99% Solution’ for Energy Savings in Buildings
As a share of total construction activity reconstruction has been on the rise in the U.S. and Canada in the last few years, which creates a golden opportunity for extensive energy savings.
| May 9, 2012
International green building speaker to keynote Australia’s largest building systems trade show
Green building, sustainability consultant, green building book author Jerry Yudelson will be the keynote speaker at the Air-Conditioning, Refrigeration and Building Systems (ARBS) conference in Melbourne, Australia.
| May 9, 2012
Tishman delivers Revel six weeks early
Revel stands more than 730 feet tall, consists of over 6.3 milliont--sf of space, and is enclosed by 836,762-sf of glass.
| May 9, 2012
Stoddert Elementary School in DC wins first US DOE Green Ribbon School Award
Sustainable materials, operational efficiency, and student engagement create high-performance, healthy environment for life-long learning.
| May 9, 2012
Shepley Bulfinch given IIDA Design award for Woodruff Library?
The design challenges included creating an entry sequence to orient patrons and highlight services; establishing a sense of identity visible from the exterior; and providing a flexible extended-hours access for part of the learning commons.