The second-stage designs by finalists in the Guggenheim Helsinki design competition have been unveiled, Architectureau reports.
The designs were not released alongside the firm that created them. The renderings below are from the finalists: AGPS Architecture, Asif Khan Ltd., Haas Cook Zemmrich Studio2050, Moreau Kusunoki Architectes, SMAR Architecture Studio, and Fake Industries Architectural Agonism.
The team behind each design will remain anonymous until judging is complete. Designs are currently on exhibit at the Kunsthalle Helsinki. Additionally, exhibition visitors can play a Matchmaker Game, developed by American data scientist and taste researcher Hugo Liu, to pair visitors with one of the six final designs based on an assessment of their personality.
Following the exhibition, the jury will meet in Helsinki to select a winner, which will be announced on June 23, 2015.
Read more at Architectureau, and see all the renderings for each submission at Guggenheim Helsinki.
FINALIST #1
From the architects:
Five timber towers huddle together at the edge of the Baltic Sea, forming a shimmering beacon on the shoreline.
Multiple forms produce an interplay of light and shadow that create an inspiring, enticing atmosphere, while glimpses of in-between spaces beckon visitors from near and far. The warmth and familiarity of the wood shingle façade creates a sense of belonging with the landscape, while an ethereal quality is expressed through its subtle oscillation, ruffling, as though brushed by the winds of the sea. Helsinki Five seeks to engage a sense of discovery that is deeply informed by art, instigating close encounters between artwork and viewer, between art-maker and art-making.
It is a play of hide and seek, light and dark, wide and close, in and out.
FINALIST #2
From the architects:
The use of Street Space forms the basis for basic social discourse, from political gatherings to Art creation or community expressions.
While an increasing “unofficial” art was blooming in the streets from the second half of the XX Century, Museums have been historically focused in Gallery Art, excluding Public Space production.
Future is “bottom up”. Museums have to change from institutions where information was directed in only one way: towards the viewer into institutions that are increasingly creating conversations with the citizen, prioritizing the human scale of a space over its merely sculptural value.
Due to its particular climatic conditions. There are 2 cities in Helsinki. Summer Helsinki and Winter Helsinki. We propose a Strategy that could offer back to the City an Interior Street, Public Space at no additional cost to be used also the 6 cold months of the year. The combination of 2 programs -The Museum -Gallery Art- and The Extra Space -Street Art- in a single building allows us to explore the relationship between 2 complementary worlds. Using both factors, we had the chance to add, subtract, divide… We decided to multiply.
FINALIST #3
From the architects:
Helsinki is a city of interiors. Due to its extreme climatic conditions, Helsinki’s civic society blossoms indoors. Our proposal for the Guggenheim Helsinki, 47 Rooms, extends this network using the architectural technologies that construct Helsinki’s interior citizenry: i.e. walls, doors, windows, and the machinery that defines atmospheric conditions.
47 Rooms contains nine rooms of 20x20m, twenty-seven of 6.5x6.5m six of 10x10m, two of 120x4m and one of 32x120m and three outdoor rooms. A multiplicity of chambers and climatic conditions will allow various museums to live together in the same building. The museum is ready to welcome individual visitors, families, local art scene, high school visits, young audiences, international tourists, groups of friends… 47 Rooms is a machine to provide singular and ever-changing experiences by opening and closing doors to different climates.
47 Rooms extends the logic through which Helsinki’s population already tempers their more intimate public spaces. Imitating the logic of the Sauna, each room’s final climatic conditions include certain degree of negotiation between the institution and its visitors.
47 Rooms means a strategic shift on Guggenheim’s identity: it embraces Helsinki focusing on interior climate rather than external appearance.
FINALIST #4
From the architects:
Our proposal takes the form of a Helsinki city block rotated to the harbourfront.
Seven timber-clad galleries are stacked over a basement and three levels flanked by administration and open-format halls. Public spaces are formed between these and an intelligent textured glass skin wrapping the entirety to precisely diffuse light, translucent below, and transparent above. The lower galleries join as needed, while the third floor is one super-space. The variety enables a wide range of curatorial approaches.
The museum’s three entrances are arrived at by new cobble and gravel walking routes. Centrally a wide, convivial staircase helps visitors wayfind intuitively. “Art Kioski” annex for young Nordic art twins the historic Kauppahalli while a sculpture garden is enclosed to the south.
In 1800s Helsinki city blocks were named after wild animals. The proposed new block will have the tactile familiarity of a pet’s fur. So we call this proposal “quiet animal."
FINALIST #5
From the architects:
The museum is composed of two spaces - one for exhibitions, the other a public forum - that come together in a dance involving art and the city, gradually engaging in multiple movements, from a pas de deux, to a pas de trois, etcetera.
One space of the museum is on the dock level of the port facility, acknowledging the site’s industrial function as a vital memory for the new ensemble. Part gathering place, part community center, part incubator for innovation, it is conceived as a social commons within the city.
The other space of the museum houses art exhibitions. Hovering in the air, it offers a place for contemplation, with large open galleries, complementing its companion space below.
Greater than the sum of its parts, the museum generates multiple relations among people, architecture, and the arts. With this, the Guggenheim Helsinki can engage a broad constituency of stakeholders, benefiting not only the arts, but the public at large.
FINALIST #6
From the architects:
The design of the Guggenheim Helsinki and its woven landscape are based upon a sensitive and sympathetic approach to the context and nature of Helsinki. The design encourages people to flow within a new cultural core that is linked to the rest of the city, through the port promenade and the pedestrian footbridge to the Observatory Park. This flexible access welcomes not only the visitors but also serves as a key cultural destination for the community.
The museum skyline is composed by independent volumes, highlighted by a landmark tower. These fragmented art exhibition spaces allow strong integration with outdoor display and events, while the lighthouse offers a new perspective over the city. This new museum concept together with the charred timber façade echoes the process of regeneration that occurs when forests burn and then grow back stronger.
Related Stories
| Jun 25, 2013
DC commission approves Gehry's redesign for Eisenhower memorial
Frank Gehry's updated for a new Dwight D. Eisenhower memorial in Washington, D.C., has been approved by the Eisenhower Memorial Commission, reports the Washington Post. The commission voted unanimously to approve the $110 million project, which has been gestating for 14 years.
| Jun 5, 2013
USGBC: Free LEED certification for projects in new markets
In an effort to accelerate sustainable development around the world, the U.S. Green Building Council is offering free LEED certification to the first projects to certify in the 112 countries where LEED has yet to take root.
| Jun 3, 2013
Construction spending inches upward in April
The U.S. Census Bureau of the Department of Commerce announced today that construction spending during April 2013 was estimated at a seasonally adjusted annual rate of $860.8 billion, 0.4 percent above the revised March estimate of $857.7 billion.
| May 21, 2013
7 tile trends for 2013: Touch-sensitive glazes, metallic tones among top styles
Tile of Spain consultant and ceramic tile expert Ryan Fasan presented his "What's Trending in Tile" roundup at the Coverings 2013 show in Atlanta earlier this month. Here's an overview of Fasan's emerging tile trends for 2013.
| May 2, 2013
First look: UC-Davis art museum by SO-IL and Bohlin Cywinski Jackson
The University of California, Davis has selected emerging New York-based practice SO-IL to design a new campus’ art museum, which is envisioned to be a “regional center of experimentation, participation and learning.”
| Apr 30, 2013
Tips for designing with fire rated glass - AIA/CES course
Kate Steel of Steel Consulting Services offers tips and advice for choosing the correct code-compliant glazing product for every fire-rated application. This BD+C University class is worth 1.0 AIA LU/HSW.
| Apr 26, 2013
Documentary shows 'starchitects' competing for museum project
"The Competition," a new documentary produced by Angel Borrego Cuberto of Madrid, focuses on the efforts of five 'starchitects' to capture the design contract for the new National Museum of Art of Andorra: a small country in the Pyrenees between Spain and France.
| Apr 24, 2013
Los Angeles may add cool roofs to its building code
Los Angeles Mayor Antonio Villaraigosa wants cool roofs added to the city’s building code. He is also asking the Department of Water and Power (LADWP) to create incentives that make it financially attractive for homeowners to install cool roofs.
| Apr 23, 2013
Architects to MoMA: Don't destroy Williams/Tsien project
Richard Meier, Thom Mayne, Steven Holl, Hugh Hardy and Robert A.M. Stern are among the prominent architects who on Monday called for the Museum of Modern Art to reconsider its decision to demolish the former home of the American Folk Art Museum.
| Apr 17, 2013
First look: Renzo Piano's glass-domed motion pictures museum
The Academy of Motion Picture Arts and Sciences last week released preliminary plans for its $300 million Academy of Motion Picture Arts and Sciences museum in Los Angeles, designed by Renzo Piano and local architect Zoltan Pali.
