Designed by the Renzo Piano Building Workshop of Genoa/Paris/New York and Kendall/Heaton Associates of Houston, the highly anticipated expansion of the Kimbell Art Museum opens on Wednesday, November 27, 2013.
The $135 million, 101,130-square-foot colonnaded pavilion by Renzo Piano stands as an expression of simplicity and lightness—glass, concrete and wood—65 yards to the west of the signature cycloid-vaulted museum of 1972 by Louis I. Kahn.
Glimpsed from the portico of the Kahn Building, the highly energy-efficient two-part structure gives the impression of weightlessness: its recessed glass entrance is centered between crisp concrete walls; a wafer-thin layer of glass hovers over its louvered roof system; and enormous overhanging wood beams appear to float above the exterior walls.
Appearing for the first time in a Renzo Piano–designed building are galleries with smooth concrete walls and coupled wood ceiling beams. Twenty-nine pairs of these 100-foot-long Douglas Fir beams extend throughout the whole length of the front or east wing—jutting through the south gallery, entry lobby, and north gallery before coming to rest on exterior concrete columns. This wood beam structure supports the louvered roof system that controls the flow of sunlight into the building.
Two glazed outdoor walkways connect the simply expressed and luminous east wing with the rearmost building section, which is sheltered beneath a green roof. Here, a gallery designed for light-sensitive works is set partially underground and walled in lustrous concrete, its only window offering a dramatic view up a stepped ascent.
The pavilion's greatest surprise lies in the west wing: an auditorium with bright-red, raked seating plunges below ground to the stage, which is set against the backdrop of a deep and broad light well animated by shifting patterns of natural illumination.
Eric M. Lee, director of the Kimbell, noted: "In its marshaling of light and materials, human scale, and tripartite plan and elevation, the Piano Pavilion provides a 21st-century counterpoint to Kahn's classic modern masterwork."
View from the southwest at night, Renzo Piano Pavilion, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert LaPrelle
South view, Renzo Piano Pavilion and Louis Kahn Building, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert LaPrelle
Interior view of south gallery, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Interior view of south gallery, looking out to the lawn, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Roof detail, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Detail of concrete gallery wall, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Auditorium, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Auditorium, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Auditorium, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Detail of roof and beam system, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
View of facade looking south, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
View of facade looking south, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
View of facade looking south, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
South gallery, Renzo Piano Pavilion, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
View from south gallery looking north, Renzo Piano Pavilion, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
South gallery, Renzo Piano Pavilion, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Grand staircase, Renzo Piano Pavilion, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Piano Building sketch, 2008. © Renzo Piano Building Workshop
Renzo Piano on the west portico of the Kahn Building, 2008. Photo by Robert LaPrelle. © Renzo Piano Building Workshop
Related Stories
Giants 400 | Aug 8, 2019
2019 Office Giants Report: Demand for exceptional workplaces will keep the office construction market strong
Office space consolidation and workplace upgrades will keep project teams busy, according to BD+C's 2019 Giants 300 Report.
Museums | Jul 29, 2019
A new museum debuts inside the Empire State Building
A $165 million, 10,000-sf museum opened on the second floor of the Empire State Building in New York City, completing the second of a four-phase “reimagining” of that building’s observatory experience, which draws four million visitors annually.
Multifamily Housing | Jul 23, 2019
Is prefab in your future?
The most important benefit of offsite construction, when done right, is reliability.
Healthcare Facilities | Jul 15, 2019
Can a kids’ healthcare space teach, entertain, and heal?
Standard building requirements don’t have to be boring. Here’s how you can inject whimsical touches into everyday design features.
Architects | Jul 10, 2019
9 picks from NeoCon 2019
Interior architect Mary Bartlett selects her favorite products and systems from the 2019 NeoCon show, Chicago, June 10-12, 2019.
BD+C University Course | Jul 8, 2019
Shadow box design: To vent or not to vent [AIA course]
A curtain wall shadow box is a spandrel assembly consisting of vision glass at the building exterior and an opaque infill at the interior side of the curtain wall system. This course is worth 1.0 AIA LU/HSW.
Architects | Jul 8, 2019
Unity Temple, Robie House among eight Frank Lloyd Wright projects to receive World Heritage status
The UNESCO designation includes signature works designed by Wright during the first half of the 20th century.
Architects | Jul 1, 2019
Perkins Eastman Co-founder Mary-Jean Eastman to keynote Women in Design+Construction Conference
Two of Perkins Eastman’s firm leaders—Mary-Jean Eastman, FAIA, Vice Chair and Managing Principal of its New York City studio, and Barbara Mullenex, AIA, Managing Principal of the Washington, D.C., studio—will share anecdotes about their personal journeys to the top of a global architecture, design, and planning firm, at Building Design+Construction's fourth annual Women in Design+Construction Conference. The event will take place November 11-13, 2019, at the Fairmont Scottsdale Princess resort in Scottsdale, Ariz.
Sports and Recreational Facilities | Jun 27, 2019
Foster + Partners unveils design of wooden boathouse for Row New York
The project will sit on the banks of the Harlem River in Sherman Creek Park.
Building Tech | Jun 26, 2019
Modular construction can deliver projects 50% faster
Modular construction can deliver projects 20% to 50% faster than traditional methods and drastically reshape how buildings are delivered, according to a new report from McKinsey & Co.