The John F. Kennedy Center for the Performing Arts in Washington D.C. opened its first-ever expansion on September 7, and is celebrating that opening with 16 days of free programming.
Designed by Steven Holl Architects, The REACH, as the addition is known, is anchored by three pavilions—called Welcome, Skylight, and River—located on more than 130,000 sf of sweeping lawn that overlooks the Potomac River. The buildings are linked below ground to create an expanded facility that includes classrooms, three rehearsal studios, and multiuse public spaces.
The project incorporates engineering features that include a void slab design, a technique rarely used in the U.S., which allowed for the expansion’s dramatic sculptural forms and spacious interiors. Plastic balls are embedded in the concrete to reduce the overall deadweight and allow for longer spans. Arup coordinated closely with the design team to ensure that each component of the building’s systems was effectively woven into the slab system on schedule.
The Link walkway connects the Kennedy Center's main building to the REACH.
To support the architectural vision and ambitious sustainability targets, Arup's team of engineers and consultants collaborated to develop a building systems strategy that optimizes energy performance while remaining largely unseen. For example, an under-floor concrete trench system enables the building services to be distributed out of sightline, thereby preserving the integrity of the architectural vision.
The strategy also incorporates a range of performance-enhancing technologies, from a closed-loop, ground source heat rejection system, to advanced temperature controls and radiant floor heating. Using Arup’s in-house software suite, Oasys Building Environmental Analysis (BEANS), the team demonstrated that the addition of radiant floors would counteract the thermal effects of one of the pavilion’s massive curved wall, providing both heating and cooling and significantly boosting comfort throughout the year while keeping energy demands within acceptable levels.
One of three rehearsal studios at The REACH.
The REACH could be viewed as a counterpoint to the monolithic Kennedy Center, which one architectural critic once disparaged as a “superbunker” with over-the-top interior design elements and few windows. In contrast, the REACH’s 72,000 sf interior space—which include a living theater, immersive learning center, and public arts incubator—present more-open, inviting spaces to visitors and patrons. The addition increases the Kennedy Center’s public-facing areas by 20%, Deborah Rutter, the Center’s president, told Bizjournals.com.
The Whiting-Turner Contracting Company was the construction manager on the project.
The REACH cost an estimated $175 million, 75% over its original construction buddget, and took two more years than planned to complete. Its supporters say that a portion of the extra cost will pay for operations. The Kennedy Center is in the process of raising $250 million in individual and corporate donations for the new facility, which is targeting LEED Gold certification.
The lobby for the Welcome Pavilion, one of three buildings that comprise The REACH.
Related Stories
| Jan 7, 2015
4 audacious projects that could transform Houston
Converting the Astrodome to an urban farm and public park is one of the proposals on the table in Houston, according to news site Houston CultureMap.
| Jan 6, 2015
Snøhetta unveils design proposal of the Barack Obama Presidential Center Library for the University of Hawaii
The plan by Snøhetta and WCIT Architecture features a building that appears square from the outside, but opens at one corner into a rounded courtyard with a pool, Dezeen reports.
| Jan 2, 2015
Construction put in place enjoyed healthy gains in 2014
Construction consultant FMI foresees—with some caveats—continuing growth in the office, lodging, and manufacturing sectors. But funding uncertainties raise red flags in education and healthcare.
| Dec 29, 2014
'Russian nesting doll' design provides unique fire protection solution for movie negatives
A major movie studio needed a new vault to protect its irreplaceable negatives for films released after 1982. SmithGroupJJR came up with a box-in-a-box design solution. It was named a Great Solution by the editors of Building Design+Construction.
| Dec 28, 2014
Robots, drones, and printed buildings: The promise of automated construction
Building Teams across the globe are employing advanced robotics to simplify what is inherently a complex, messy process—construction.
| Dec 28, 2014
AIA course: Enhancing interior comfort while improving overall building efficacy
Providing more comfortable conditions to building occupants has become a top priority in today’s interior designs. This course is worth 1.0 AIA LU/HSW.
| Dec 22, 2014
Skanska to build Miami’s Patricia and Phillip Frost Museum of Science
Designed by Grimshaw Architects, the 250,000-sf museum will serve as an economic engine and cultural anchor for Miami’s fast-growing urban core.
| Dec 9, 2014
Steven Holl wins Mumbai City Museum competition with 'solar water' scheme
Steven Holl's design for the new wing features a reflective pool that will generate energy.
| Dec 9, 2014
Must see: World's tallest cylindrical aquarium unveiled in Moscow
The aquarium, designed and built by International Concept Management, is a staggering 23 meters tall and is viewable from all four levels of Europe's largest shopping center.
| Dec 8, 2014
Steven Holl's expansion to JFK performing arts building breaks ground
Designed by Holl and BNIM, the 65,000-sf facility will function as an interactive space, where artists and the community can come together.