Designed by the Renzo Piano Building Workshop of Genoa/Paris/New York and Kendall/Heaton Associates of Houston, the highly anticipated expansion of the Kimbell Art Museum opens on Wednesday, November 27, 2013.
The $135 million, 101,130-square-foot colonnaded pavilion by Renzo Piano stands as an expression of simplicity and lightness—glass, concrete and wood—65 yards to the west of the signature cycloid-vaulted museum of 1972 by Louis I. Kahn.
Glimpsed from the portico of the Kahn Building, the highly energy-efficient two-part structure gives the impression of weightlessness: its recessed glass entrance is centered between crisp concrete walls; a wafer-thin layer of glass hovers over its louvered roof system; and enormous overhanging wood beams appear to float above the exterior walls.
Appearing for the first time in a Renzo Piano–designed building are galleries with smooth concrete walls and coupled wood ceiling beams. Twenty-nine pairs of these 100-foot-long Douglas Fir beams extend throughout the whole length of the front or east wing—jutting through the south gallery, entry lobby, and north gallery before coming to rest on exterior concrete columns. This wood beam structure supports the louvered roof system that controls the flow of sunlight into the building.
Two glazed outdoor walkways connect the simply expressed and luminous east wing with the rearmost building section, which is sheltered beneath a green roof. Here, a gallery designed for light-sensitive works is set partially underground and walled in lustrous concrete, its only window offering a dramatic view up a stepped ascent.
The pavilion's greatest surprise lies in the west wing: an auditorium with bright-red, raked seating plunges below ground to the stage, which is set against the backdrop of a deep and broad light well animated by shifting patterns of natural illumination.
Eric M. Lee, director of the Kimbell, noted: "In its marshaling of light and materials, human scale, and tripartite plan and elevation, the Piano Pavilion provides a 21st-century counterpoint to Kahn's classic modern masterwork."
View from the southwest at night, Renzo Piano Pavilion, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert LaPrelle
South view, Renzo Piano Pavilion and Louis Kahn Building, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert LaPrelle
Interior view of south gallery, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Interior view of south gallery, looking out to the lawn, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Roof detail, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Detail of concrete gallery wall, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Auditorium, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Auditorium, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Auditorium, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Detail of roof and beam system, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
View of facade looking south, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
View of facade looking south, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
View of facade looking south, Renzo Piano Pavilion, September 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
South gallery, Renzo Piano Pavilion, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
View from south gallery looking north, Renzo Piano Pavilion, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
South gallery, Renzo Piano Pavilion, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Grand staircase, Renzo Piano Pavilion, October 2013. Kimbell Art Museum, Fort Worth, Texas. Photo by Robert Polidori
Piano Building sketch, 2008. © Renzo Piano Building Workshop
Renzo Piano on the west portico of the Kahn Building, 2008. Photo by Robert LaPrelle. © Renzo Piano Building Workshop
Related Stories
| Dec 13, 2010
Energy efficiency No. 1 priority for commercial office tenants
Green building initiatives are a key influencer when tenants decide to sign a commercial real estate lease, according to a survey by GE Capital Real Estate. The survey, which was conducted over the past year and included more than 2,220 office tenants in the U.S., Canada, France, Germany, Sweden, the UK, Spain, and Japan, shows that energy efficiency remains the No. 1 priority in most countries. Also ranking near the top: waste reduction programs and indoor air.
| Dec 7, 2010
Are green building RFPs more important than contracts?
The Request for Proposal (RFP) process is key to managing a successful LEED project, according to Green Building Law Update. While most people think a contract is the key element to a successful construction project, successfully managing a LEED project requires a clear RFP that addresses many of the problems that can lead to litigation.
| Dec 7, 2010
Blue is the future of green design
Blue design creates places that are not just neutral, but actually add back to the world and is the future of sustainable design and architecture, according to an interview with Paul Eagle, managing director of Perkins+Will, New York; and Janice Barnes, principal at the firm and global discipline leader for planning and strategies.
| Dec 7, 2010
Green building thrives in shaky economy
Green building’s momentum hasn’t been stopped by the economic recession and will keep speeding through the recovery, while at the same time building owners are looking to go green more for economic reasons than environmental ones. Green building has grown 50% in the past two years; total construction starts have shrunk 26% over the same time period, according to “Green Outlook 2011” report. The green-building sector is expected to nearly triple by 2015, representing as much as $145 billion in new construction activity.
| Dec 7, 2010
USGBC: Wood-certification benchmarks fail to pass
The proposed Forest Certification Benchmark to determine when wood-certification groups would have their certification qualify for points in the LEED rating systemdid not pass the USGBC member ballot. As a result, the Certified Wood credit in LEED will remain as it is currently written. To date, only wood certified by the Forest Stewardship Council qualifies for a point in the LEED, while other organizations, such as the Sustainable Forestry Initiative, the Canadian Standards Association, and the American Tree Farm System, are excluded.
| Dec 7, 2010
Prospects for multifamily sector improve greatly
The multifamily sector is showing signs of a real recovery, with nearly 22,000 new apartment units delivered to the market. Net absorption in the third quarter surged by 94,000 units, dropping the national vacancy rate from 7.8% to 7.1%, one of the largest quarterly drops on record, and rents increased for the second quarter in a row.
| Dec 7, 2010
Hot rumor: Norman Foster designing Apple’s new campus
Lord Norman Foster, reportedly has been selected to design Apple’s new campus in Cupertino, Calif. If the news is true, Foster is a good match for Apple say experts. Foster built his celebrity by marrying big gestures to technological wizardry. And, unlike some starchitects, he has glommed onto the environmental revolution—something Apple has made a point of embracing, too.
| Dec 7, 2010
10 megacities of the near future
With Beijing, Shanghai, and Mumbai already on the global radar, where can the next wave of construction be found? Far beyond China, India, and even Brazil it’s predicted. The world’s next future megacities could include Istanbul, Turkey; Ho Chi Minh City, Vietnam; and Khartoum, Sudan, among others. Read about these emerging and little-known behemoths.