The renovation of the iconic Brooklyn Paramount Theater restored the building to its original purpose as a movie theater and music performance venue. Long Island University had acquired the venue in the 1960s and repurposed it as the school’s basketball court.
The recently completed restoration preserved historical features while adapting to modern needs. Opened in 1928, the theater was renowned for hosting the world's first talking movies and showcasing legendary musical performers like Buddy Holly & The Crickets, Chuck Berry, Duke Ellington, and Ella Fitzgerald. Redesigned for owner Live Nation, it now accommodates contemporary artists while paying homage to its storied past.
Designed by Arcadis, the renovation incorporated a comprehensive marquee redesign, drawing inspiration from the original structure. The intricately designed ceiling was constructed with plaster, with special attention given to ensure its structural stability so that it is capable of withstanding intense bass vibrations of concerts. Collaborating with a lighting designer, the team illuminated the upper plaster dome, transforming it into a beautiful canvas enveloping the space in colored light to enhance the concert experience.
New life for Brooklyn Paramount Theater
By examining the venue’s original design and historical drawings from the 1920s, the design team salvaged intricate details and restored original architecture altered over the past century. The ticket lobby has been reimagined to align with modern aesthetics and security standards.
Upon entering the 2,700-capacity music hall, patrons are greeted by the featured bar before they encounter a sloped floor designed for optimal viewing. Old classrooms on the upper balcony were turned into mechanical areas to provide the space with modern comfort. The balcony’s original rococo columns with a colonnade, signaling the top of the venue, were replicated.
The second-level balcony boasts exclusive boxes and “Ella's VIP lounge,” paying homage to Fitzgerald's iconic performances in the 1950s. The intimate atmosphere of the VIP lounge showcases a small stage wrapped in a warm burnt-red drape. Over four dozen glistening gold disco balls add an additional level of sparkle to the space to set it apart from the rest of the venue.
Owner and/or developer: Live Nation / Long Island University
Design architect: Arcadis
Architect of record: Arcadis
MEP engineer: Highland Associates
Structural engineer: Thornton Tomasetti
General contractor/construction manager: Schimenti Construction Company
Related Stories
Cultural Facilities | Apr 12, 2016
Studio Libeskind designs angular Kurdish museum rich with symbolism
The museum consists of four geometric volumes separated by somber and uplifting divisions.
Performing Arts Centers | Apr 1, 2016
Adrian Smith + Gordon Gill Architecture’s The Yard at Chicago Shakespeare to begin construction this spring at Navy Pier
Among the unique design features is a movable set of structural audience “towers” that allows for directors and designers to create a space that works best for their specific performances.
Sports and Recreational Facilities | Mar 31, 2016
An extreme sports tower for climbing and BASE jumping is proposed for Dubai’s waterfront
The design incorporates Everest-like base camps for different skill levels.
Cultural Facilities | Mar 21, 2016
PAB Architects designs marketplace to centralize Senegal street vending
The Senegal City Market project consists of groups of store modules and is expected to expand to 13 cities.
Cultural Facilities | Mar 15, 2016
OMA’s first UAE project transforms warehouses into multi-purpose art district venue
Moveable walls will provide different spatial configurations for events and gatherings, and large glass doors will blur indoors and outdoors.
Cultural Facilities | Mar 8, 2016
The sexy side of universal design
What would it look like if achieving universal accessibility was an inspiring point of departure for a project's design process? Sasaki's Gina Ford focuses on Marina Plaza and the Cove, two key features of her firm's Chicago Riverwalk development.
Museums | Mar 3, 2016
How museums engage visitors in a digital age
Digital technologies are opening up new dimensions of the museum experience and turning passive audiences into active content generators, as Gensler's Marina Bianchi examines.
Cultural Facilities | Mar 1, 2016
China bans ‘weird’ public architecture, gated communities
Directs designers of public buildings to focus on functionality.
Contractors | Feb 25, 2016
Huntsville’s Botanical Garden starts work on new Guest Welcome Center
The 30,000-sf facility will feature three rental spaces of varying sizes.
The High Line | Feb 24, 2016
The last unused portion of the High Line is set to become a piazza
The piazza replaces an earlier design for the space that called for a bowl-shaped garden.