flexiblefullpage
billboard
interstitial1
catfish1
Currently Reading

Steven Holl selected for Culture and Art Center in Qingdao, besting Zaha Hadid, OMA

Steven Holl selected for Culture and Art Center in Qingdao, besting Zaha Hadid, OMA

The 2 million-sf project for four museums is the heart of the new extension of Qingdao, China, planned for a population of 700,000.


By Steven Holl Architects | October 30, 2013

Steven Holl Architects has been selected by near unanimous jury decision as the winner of the new Culture and Art Center of Qingdao City competition, besting OMA and Zaha Hadid Architects. The 2 million-sf project for four museums is the heart of the new extension of Qingdao, China, planned for a population of 700,000.

The winning design for the new Culture and Art Center begins with a connection to Qingdao. The linear form of the Jiaozhou Bay Bridge—the world’s longest bridge over water—is carried into the large site, in the form of a Light Loop, which contains gallery spaces and connects all aspects of the landscape and public spaces. The raised Light Loop allows maximum porosity and movement across the site, and permits natural sound bound breezes that blow in off the ocean to flow across the site.

Set within the master plan are Art Islands, or Yishudao, which take the form of three sculpted cubes, and four small landscape art islands that form outdoor sculpture gardens. Five terraced reflecting pools animate the landscape and bring light to levels below via skylights.

 

 

The Light Loop and Yishudao concepts facilitate the shaping of public space. A great central square for large gatherings is at the center of the site overlooking a large water garden. The Modern Art Museum shapes the central square. The Public Arts Museum forms the main experience of entry from the south. The North Yishudao contains the Classic Art Museum, with a hotel at its top levels, and the South Yishudao, which floats over the large south reflecting pool, holds the Performing Arts Program.

In the Light Loop, all horizontal galleries receive natural light from the roof that can be controlled with 20% screens as well as blackout options. The 20 meter wide section of the Light Loop allows side lighting to the lower level galleries, and provides space for two galleries side by side, avoiding dead-end circulation.

The basic architecture is in simple monochrome of sanded marine aluminum and stained concrete, with the undersides of the Light Loops in rich polychrome colors of ancient Chinese architecture. These soffits are washed with light at night to become landscape lighting in shimmering reflected colors.

The entire project uses the most sustainable green technologies. Placed between the skylights on the Light Loop, photovoltaic cells will provide 80% of the museum’s electrical needs. The reflecting ponds with recycle water, while 480 geothermal wells provide heating and cooling.

Watch a video of Holl's entry.

 

   

Related Stories

| Oct 29, 2013

Are public-private partnerships the new normal?

The factors currently complicating public projects—a lack of funding and resistance to tax increases—are unlikely to change anytime soon. As development needs become more complex, public-private partnerships will become much more common.

| Oct 29, 2013

Increased backlogs, margins lead to renewed optimism in global construction

After prolonged economic uncertainty, a majority of executives in the global engineering and construction sector have fresh confidence in the growth prospects for the industry, according to KPMG International's 2013 Global Construction Survey. A general increase in backlogs and margins is giving cause for optimism across the industry, with further growth anticipated.

| Oct 29, 2013

BIG opens subterranean Danish National Maritime Museum [slideshow]

BIG (Bjarke Ingels Group) has completed the Danish National Maritime Museum in Helsingør. By marrying the crucial historic elements with an innovative concept of galleries and way-finding, BIG’s renovation scheme reflects Denmark's historical and contemporary role as one of the world's leading maritime nations.

| Oct 28, 2013

Urban growth doesn’t have to destroy nature—it can work with it

Our collective desire to live in cities has never been stronger. According to the World Health Organization, 60% of the world’s population will live in a city by 2030. As urban populations swell, what people demand from their cities is evolving.

| Oct 28, 2013

Packard Foundation’s headquarters receives ILFI Net Zero certification

The Packard Foundation’s 49,000-sf headquarters recently achieved Net Zero Energy Certification through the International Living Future Institute (ILFI), making it the largest such building in the world.

| Oct 28, 2013

Metal roofs are topping more urban dwellings

Given their durability and ease of use, metal roofs have been a common feature on rural houses for decades. Now they’re becoming an increasingly popular choice on urban dwellings as well. 

| Oct 25, 2013

Hoffmann Architects announces launch of U.S. Capitol Dome restoration

The Architect of the Capitol will undertake comprehensive restoration of the 150-year-old cast iron Dome, which has not undergone a complete restoration since 1959-1960.

| Oct 23, 2013

AIA: Crowd-funding shows promise for financing real estate projects

The American Institute of Architects issued a statement on the SEC's recent 5-0 vote to propose rules aimed at letting startups tap large numbers of ordinary investors for small amounts of capital. 

| Oct 23, 2013

Manhattan's landmark Marble Collegiate Church modernized

Helpern Architects, Structure Tone led the Building Team in a multi-phase project. 

| Oct 23, 2013

Gehry, Foster join Battersea Power Station redevelopment

Norman Foster and Frank Gehry have been selected to design a retail section within the £8 billion redevelopment of Battersea Power Station in London.

boombox1
boombox2
native1

More In Category

Urban Planning

Bridging the gap: How early architect involvement can revolutionize a city’s capital improvement plans

Capital Improvement Plans (CIPs) typically span three to five years and outline future city projects and their costs. While they set the stage, the design and construction of these projects often extend beyond the CIP window, leading to a disconnect between the initial budget and evolving project scope. This can result in financial shortfalls, forcing cities to cut back on critical project features.




halfpage1

Most Popular Content

  1. 2021 Giants 400 Report
  2. Top 150 Architecture Firms for 2019
  3. 13 projects that represent the future of affordable housing
  4. Sagrada Familia completion date pushed back due to coronavirus
  5. Top 160 Architecture Firms 2021